June 24, 2021

Collateral Beauty

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Collateral Beauty is a 2016 American drama film directed by David Frankel and written by Allan Loeb. The film stars an ensemble cast of Will Smith, Edward Norton, Keira Knightley, Michael Peña, Naomie Harris, Jacob Latimore, Kate Winslet, and Helen Mirren. It follows a man who copes with his daughter’s death by writing letters to time, death, and love.

The film premiered at the Dubai International Film Festival on December 13, 2016, and was released in the United States on December 16, 2016. It was panned by critics,[4][5] although it grossed $88 million worldwide against its net $36 million budget.


  • 1 Plot
  • 2 Cast
  • 3 Production
    • 3.1 Soundtrack
    • 3.2 Filming
  • 4 Release
    • 4.1 Box office
    • 4.2 Critical response
    • 4.3 Accolades
  • 5 References
  • 6 External links


Successful advertising executive Howard Inlet becomes clinically depressed after his young daughter’s tragic death. He spends his time alone, rarely sleeping or eating, and at the office building domino chains and structures. His estranged friends and business partners, Whit Yardsham, Claire Wilson, and Simon Scott fear for Howard’s mental health as well as their company’s future, as his behavior has cost them numerous high-profile clients and left them on the verge of bankruptcy. As the majority shareholder, Howard has also undermined their efforts to sell the company.

The trio hire a private investigator, Sally Price, to acquire evidence that Howard is unfit to run the company, allowing them to take control. Sally intercepts three letters written by Howard which he posted to the abstract concepts of Love, Time, and Death, and presents them to Whit, Claire, and Simon. They hire a trio of struggling actors – Brigitte, Raffi, and Amy – to masquerade as Death, Time, and Love to confront Howard about his letters. Their plan is for Sally to record these encounters and then digitally erase Amy, Raffi, and Brigitte to make Howard appear mentally unbalanced, enabling them to sell the company.

In preparation for their roles, Brigitte, Raffi, and Amy spend time with Simon, Claire, and Whit, who are going through personal problems of their own: Simon is secretly battling cancer; Whit is struggling to connect with his pre-teen daughter Allison after cheating on her mother; and Claire is looking for sperm donors to conceive a child after neglecting her private life for years.

After his encounters with Brigitte, Raffi, and Amy, Howard attends a grief support group and befriends Madeleine, who has lost her daughter, Olivia, to cancer, which led to the end of her marriage. As he meets with Madeleine, she shows him a note from her husband, “If only we could be strangers again…” and continues enigmatically “And now we are.” Howard tells her about his recent “conversations” with Death, Time, and Love. She tells him that on the day Olivia died, an old woman at the hospital had told her to notice the “Collateral Beauty”, which she has learned to recognize as acts of selfless kindness that follow tragedies.

As the group is discussing the actors’ performances, Amy storms out of the room because she feels guilty about manipulating Howard. Whit goes to convince her to return and declares romantic interest in her. She rejects him, but agrees to commit to their plan if he will make amends with his daughter. Simon similarly confides with Brigitte about his condition and his fear of death. She encourages him to share the burden with his family.

Amy, Raffi, and Brigitte confront Howard again, and he lashes out at them, particularly Amy, externalizing the pain he held inside since his daughter’s death. Amy tells Howard he owes it to his daughter’s existence to love and that he can’t live without it. The next day, Howard attends a meeting with his company’s board of directors in which footage of the incidents, with the actors digitally removed, is shown. He realizes his mental state and behavior are ruining the company. He voices his gratitude for all that his friends have done for him, and promises to be there in their times of need. He then signs documents to ensure the agency’s survival.

After the meeting there is a chain reaction: Simon tells his wife about his health condition, and she comforts him. Claire meets with Raffi, and he states she will make a good mother someday. She says time has caught up to her, to which he replies that her battle with time isn’t over yet, and mentions people who had had a positive effect on his young life. Whit visits Allison at school. Although she refuses to speak to him, he expresses his love for her and vows to return every day until she talks to him. Allison reconsiders, and in parting, mentions that “tomorrow is a half day”.

Howard visits Madeleine on Christmas Eve, and she persuades him to watch a video of her husband playing with their daughter, who turn out to be Howard and Olivia. Howard is able to acknowledge his daughter’s name and condition, and hugs Madeleine while crying. Brigitte is revealed to be the woman who had told Madeleine about Collateral Beauty.

At the end, we see Howard and Madeleine walk hand-in-hand through Central Park. He turns and sees Amy, Raffi and Brigitte watching from a footbridge, but they vanish as Madeleine turns toward them, revealing that they truly are Love, Death and Time, and they appeared to the ones who were in need of help.


  • Will Smith as Howard Inlet
  • Edward Norton as Whit Yardsham
  • Kate Winslet as Claire Wilson
  • Keira Knightley as Amy / “Love”
  • Michael Peña as Simon Scott
  • Naomie Harris as Madeleine Inlet
  • Helen Mirren as Brigitte / “Death”
  • Jacob Latimore as Raffi / “Time”
  • Enrique Murciano as Stan
  • Kylie Rogers as Allison Yardsham
  • Ann Dowd as Sally Price
  • Mary Beth Peil as Whit’s Mother
  • Liza Colón-Zayas as Trevor’s Mom
  • Natalie Gold as Adam’s Mom


On May 13, 2015, it was announced that Hugh Jackman and Rooney Mara would star in the New York-set drama Collateral Beauty, to be directed by Alfonso Gomez-Rejon and written by Allan Loeb.[6] Loeb wrote the script on spec, saying, “It’s something that I’ve meditated on for a couple of years, the idea of someone who’s been through a terrible loss, and was angry and twice destroyed and wrote letters to the Universe. I didn’t know why or how or what that meant for years, but it wouldn’t leave me alone.”[7] Michael Sugar and Bard Dorros were set to produce through their Anonymous Content banner.[6] On June 9, 2015, PalmStar Media’s Kevin Frakes came on board to produce and fully finance the film, and Likely Story was also on board to co-produce the film, with Loeb also producing.[8] On June 15, 2015, Variety reported that Jason Segel was in talks to join the cast.[9] On July 15, 2015, it was announced that Jackman had exited the project due to his commitment with 20th Century Fox’s Logan film, and producers were eyeing Johnny Depp to star instead.[10]

On August 4, 2015, Will Smith was cast to play the lead, replacing Jackman, while Smith’s Overbrook Entertainment was set to also produce the film.[11] On September 8, 2015, it was announced that New Line Cinema had come on board to handle worldwide distribution for the film, while Mara had left the project.[12] On October 5, 2015, director Gomez-Rejon exited the film due to creative differences with the studio.[13] On November 10, 2015, it was announced that David Frankel was nearing a deal to direct the film.[14] On December 1, 2015, Variety reported that Helen Mirren was in early talks to join the cast, with filming expected to begin early 2016 in New York City.[15] On January 14, 2016, TheWrap reported that Edward Norton, Michael Peña, and Naomie Harris were cast in the film, while Rachel McAdams was in negotiations to join as well.[16] Village Roadshow Pictures was set to co-finance the film.[17] On February 9, 2016, Keira Knightley joined the film, and Kate Winslet was also cast the next day.[18][19] Enrique Murciano was spotted filming along with Winslet, while Jacob Latimore also joined the film.[20][21] On March 10, 2016, Ann Dowd signed on to co-star.[22]


In November 2016, it was confirmed that OneRepublic’s song “Let’s Hurt Tonight” was part of the soundtrack album. With Theodore Shapiro, a music video for the song was released on December 6, 2016.


Principal photography on the film began on February 22, 2016, in New York City,[23] where filming also took place in Queens[24] and Manhattan.[25] On March 10, 2016, filming took place at the Whitney Museum of American Art.[26]


Collateral Beauty was released by Warner Bros. on December 16, 2016.[17]

Box office[edit]

Collateral Beauty grossed $31 million in the United States and Canada and $57.2 million in other territories for a worldwide total of $88.2 million, against a production budget of $36 million.[2]

The film was released alongside Rogue One and the wide expansion of Manchester by the Sea, and was initially expected to gross $11–13 million from 3,028 theaters in its opening weekend, on par with Smith’s 2015 drama Concussion.[27] It made $2.4 million on its first day, lowering weekend projections to $7.5 million. It ended up grossing $7.1 million, finishing 4th at the box office and marking the lowest opening of Will Smith’s career.[28]

Critical response[edit]

On Rotten Tomatoes, the film holds an approval rating of 14% based on 167 reviews, and an average rating of 3.6/10. The website’s critical consensus reads, “Well-meaning but fundamentally flawed, Collateral Beauty aims for uplift but collapses in unintentional hilarity.”[29] On Metacritic, the film has a weighted average score of 23 out of 100 based on 40 critics, indicating “generally unfavorable reviews”.[30] Audiences polled by CinemaScore gave the film an average grade of “A–” on an A+ to F scale, while PostTrak reported filmgoers gave it a 76% overall positive score and a 55% “definite recommend”.[28]

Vince Mancini of Uproxx criticized the film for its misleading trailers and dialogue, writing, “Edward Norton’s character tells Keira Knightley’s about holding his now-estranged daughter (he’s a workaholic!) in his arms for the first time. ‘It wasn’t that I felt love, it was that I felt like I had become love’.”[31] Richard Roeper gave the film one out of four stars, saying, “Collateral Beauty is a fraud. It is built on a foundation so contrived, so off-putting, so treacly, the most miraculous thing about this movie is this movie was actually made.”[32]

Leon Thomas, of film web-series Renegade Cut fame, analyzed negatively on the film’s plot contrivances and inconsequential details; it was his pick for the worst film of 2016.[33][34]



  • ^ “Collateral Beauty (12A)”. British Board of Film Classification. November 21, 2016. Retrieved November 21, 2016..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:”””””””‘””‘”}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url(“//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png”)no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url(“//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png”)no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url(“//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png”)no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
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  • ^ D’Allessandro, Anthony (December 18, 2016). “How Critics’ “Schoolyard Assault” On ‘Collateral Beauty’ Turned Ugly For Will Smith Pic”. Deadline Hollywood. Retrieved December 31, 2016.
  • ^ Jackson, Danielle (December 13, 2016). “Collateral Beauty reviews: Will Smith movie slammed by critics”. Entertainment Weekly. Retrieved December 31, 2016.
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  • ^ Sneider, Jeff (January 14, 2016). “Rachel McAdams to Join Will Smith in ‘Collateral Beauty'”. TheWrap. Retrieved January 25, 2016.
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  • ^ Pedersen, Erik (March 10, 2016). “Victor Garber Joins ‘Rebel In The Rye’; Ann Dowd Cast In ‘Collateral Beauty'”. Deadline. Retrieved March 13, 2016.
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  • ^ Mancini, Vince (December 15, 2016). “‘Collateral Beauty’ Is A 96-Minute Coldplay Lyric Come To Life”. Uproxx. Retrieved December 15, 2016.
  • ^ Roeper, Richard (December 15, 2016). “‘Collateral Beauty’ goes about its tearjerking in contrived ways”. Chicago Sun Times. Retrieved December 16, 2016.
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  • ^ Renegade Cut (January 4, 2017). “Top 10 Worst Movies of 2016 – Renegade Cut”. Retrieved December 16, 2017 – via YouTube.
  • ^ “Nicole Kidman, Hugh Grant, Naomie Harris and Lily Collins to be Honored”. Hollywood Film Awards. October 21, 2016. Retrieved November 2, 2016.
  • ^ “‘Moonlight’ and ‘Love and Friendship’ Lead London Film Critics’ Circle Nominations”. Variety. December 20, 2016. Retrieved December 20, 2016.
  • ^ Hill, Libby (December 14, 2016). “‘Moonlight,’ ‘Birth of a Nation’ and ‘Loving’ score big with NAACP Image Award nominations”. Los Angeles Times. Retrieved December 14, 2016.
  • External links[edit]

    • Official website
    • Collateral Beauty on IMDb

    Source: https://en.wikipedia.org/wiki/Collateral_Beauty

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